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Lil’ Kim’s “Hard Core” at 30: A First Listen to the Full Album

1 day ago
2 min read

 

Lil’ Kim poses among flowers on the cover of “Hard Core.”
Lil’ Kim kneels in a leopard-print outfit amid flowers on the cover of Hard Core.

 

If you know Lil’ Kim from the color-coordinated wigs in the “Crush on You” video, the sixth track on “Hard Core” might catch you off guard. That’s Lil’ Cease rapping the verses. Kim was willing to give someone else the floor on her own debut. One track later, on “Drugs,” listen to how quickly you recognize her voice when she takes it back.

 

Released on November 12, 1996, “Hard Core” turns 30 today. The player below follows the original 15-track sequence, including the intro and interludes. Choose any title to sample it, or press play on track one to hear the previews in order. The recordings contain explicit lyrics.

 

Listen to All 15 Tracks

 

 

How Kim Makes an Entrance

 

“Intro in A-Minor” makes you wait for Kim’s first verse. Let it run into “Big Momma Thang,” featuring Jay-Z, and listen to who gets the first word. Kim opens with such an easy, conversational cadence that the force of what she says can take a second to register. On “No Time,” try following her pauses instead of the rhyme words. The hook keeps repeating while Kim changes where each line lands.

 

Keep the short scenes in the mix. “Take It!” sits between “Spend a Little Doe” and “Crush on You.” Later, “Scheamin’” gives you a breath between “Drugs” and “Queen Bitch.” Those changes of pace are easy to lose when you hear an album for the first time on shuffle.

 

Two Songs You May Know in Other Versions

 

After the boasts of “Queen Bitch,” “Dreams” turns name-dropping into a game. Follow that stretch through “M.A.F.I.A. Land” and “We Don’t Need It” to track 13, “Not Tonight.” Jermaine Dupri’s production leaves room for Kim to hold a syllable and then land the joke. If you remember a succession of women trading verses, that’s the 1997 remix. Here you get to follow Kim’s timing across the whole song.

 

Stay through “Player Haters” and the closing crew cut. Then go back to “Big Momma Thang.” After hearing how many voices share this album, that first entrance sounds even more deliberate.

 

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