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Grown and Sexy Slow Jams August 17, 2026: Ten 1990s and 2000s R&B Records

Grown and Sexy Slow Jams August 17, 2026 settles into ten 1990s and 2000s R&B records made for a quiet room and an unhurried night. Every song clears the reconstructed 30-day song window, and every artist clears the preceding seven-day artist window.

 

Grown & Sexy Slow Jams cover featuring Case, Deborah Cox, and Mýa in an R&B listening lounge, dated August 17, 2026.

 

Use the on-page player to hear one verified Apple Music preview per selection. Click the active song again to pause or resume, and use its Apple Music link when you want the full record.

 

 

Tonight’s ten

 

112 — “Cupid”

 

A patient lead vocal and close group harmonies turn a promise of lasting love into a Bad Boy-era slow-jam standard.

 

Case — “Missing You”

 

Case gives absence a conversational ache, letting the melody carry the weight of nights that feel longer without someone close.

 

Deborah Cox featuring RL — “We Can’t Be Friends”

 

Two voices hold opposite sides of a breakup, making restraint and unresolved feeling sound equally powerful.

 

Mýa — “My First Night with You”

 

Mýa leans into tenderness and wonder, delivering a polished ballad that keeps its emotion intimate.

 

Silk — “Meeting in My Bedroom”

 

Silk’s stacked harmonies and measured groove create a direct invitation without rushing the mood.

 

H-Town featuring Shirley Murdock — “A Thin Line Between Love & Hate”

 

The remake brings gospel-shaped intensity to a warning about how quickly devotion can turn into hurt.

 

Next — “Butta Love”

 

Next balances a smooth radio melody with a relaxed groove that fits the late-night pace.

 

Ideal — “Get Gone”

 

Ideal makes a breakup boundary feel melodic, firm, and unmistakable without losing the song’s R&B warmth.

 

Kut Klose — “I Like”

 

The trio’s harmonies glide over a plush groove, capturing attraction with poise and controlled heat.

 

Dru Hill — “5 Steps”

 

Baltimore’s own Dru Hill closes the set with a dramatic farewell built on church-rooted vocals and emotional precision.

 

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